Le sas, science-art-society group - 2025 - Being at the cosmos
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Being at the Cosmos | Art-science resonances 

The first resonance axis

Throughout 2025, the Résonances art-science project will develop around four thematic resonance axes: Being at the cosmos, Being at the virtual, Being at the nature, Being at the body.

These axes will be deployed on the campus of l'Université Paris-Saclay and at the venues of the partners involved: Le Cube Garges, le Forum des images, le musée des Arts et Métiers and la Société Française de Radiologie.

On each axis, we are planning :

 

Première image

 

Being at the cosmos

The resonance axis Being at the cosmos runs from March to June 2025 and involves l’Institut d’Astrophysique Spatiale (IAS), le Laboratoire Atmosphères, Observations Spatiales (LATMOS), L’Observatoire de Versailles Saint-Quentin-en-Yvelines (OVSQ) l’Institut de Recherche sur les lois Fondamentales de l’Univers (Irfu) and Le Cube Garges, an interdisciplinary and digital cultural innovation centre located in Garges-lès-Gonesse.

The laboratories will host art-science works on display for three months in order to arouse curiosity, foster exchanges, stimulate interactions, and encourage everyone to participate in the associated events. In fact, several art-science coupling days, open to both the l'Université Paris-Saclay community and the general public, are being organized around these exhibitions, with free and open access:

 

Deuxième Image

Le Soleil irrésolu - LABOFACTORY

 

The art-science exhibitions

Several exhibitions of art-science works will be presented from March to June in the partner university laboratories of this resonance axis.

LATMOS will be hosting:

- Kiruna | Nathalie Guimbretière, Frédéric Baudin

- Hic Sunt Dracones | Christian Delécluse

- Vois moi à travers toi - VR | des Vues de l’esprit

L'IAS will be hosting:

- L'Oeil du Soleil | des Vues de l’esprit

- Le Soleil irrésolu | Labofactory : Laurent Karst, architect/designer – Jean Marc Chomaz, artist/physicist – Greg Louis, composer

- Le mètre étalon du déplacement de l'ombre au milliardième de la vitesse de la lumière | Percept-Lab : Laurent Karst, architect/designer – Filippo Fabbri, researcher/composer

- Vois moi à travers toi - VR | des Vues de l’esprit

 

Vendredi-OVSQ- 28 mars2

 

Art-science conference as part of "Vendredis de l'OVSQ"

Behind the stars or diffferent ways of seing a sun

Friday 28 March 2025 at 12.30pm - Free - Lunch provided

OVSQ Amphi G. Mégie - 11 Boulevard d'Alembert - 78280 Guyancourt

Stars, including our Sun, are the building blocks of galaxies, and therefore of the universe. They are also the central point of planetary systems. Understanding their functioning and evolution is therefore fundamental. After discussing the main characteristics of these objects, we will explore how to relate them to the physics governing their evolution. Then, we will focus on our Sun from a particular perspective: its magnetism, along with the consequences this may have for our planet.

Our need for stimulation and information is insatiable. Curiosity is one of the most powerful and admirable driving forces in human beings. It inspires us to discover the world and connect with others. It produces an enchantment that is both emotional and rational. It is from this ambivalence that L’Œil du Soleil draws its inspiration. In this project, carried out jointly by artists and scientists, the artwork is the one that is curious about us. It is the one that watches us. And in a shared curiosity, through visual, auditory, and tactile interaction, it is again this artwork that reveals to us the Sun at wavelengths where the star is active but that we do not perceive.

I would like to register for the conference

 

Sous le même ciel (c) Quentin Chevrier (6)

 

Micro-Festival of the cosmos - Le Cube Garges

A series of art-science lectures on the cosmos

Saturday 29 march 2025 from 2pm to 9pm

Session Being at the Cosmoc from 6pm to 7.30pm - Free admission

Le Cube Garges - 40 Av. du Général de Gaulle, 95140 Garges-lès-Gonesse

Résonances art-science will be taking part in the Festival with a series of conferences::

I'm taking part in the Micro-Festival du cosmos!

 

 

LaCourseDuSoleil@EricBuchlin

La Course du Soleil - Hugo Verlinde, Florence Tassan Toffola

 

Art-science coupling day

Friday 11 april 2025 from 9.30am to 6.30pm - Free admission

IAS - Institut d'Astrophysique Spatiale - Rue Jean-Dominique Cassini, 91440, Bures-sur-Yvette

The Being at the cosmos art-science coupling day is designed to encourage resonance between scientists, artists and both cultural and scientific institutions. The programme for this event is particularly rich. Click on the button below to discover the programme and register.

The aim of the day is to:

These encounters are an opportunity to cross perspectives, experiment and build new bridges between art and science, highlighting the diversity of approaches and contributions.

I'd like to register for the day!

Programme of the day

9.30am - 10am - Reception hall - Library

Reverse visit of the works on display

A free tour of l’Institut d’Astrophysique Spatiale focusin on L’Œil du Soleil, La Couronne Solaire, Le Soleil irrésolu, Le Mètre étalon, Vois moi à travers toi | VR

10am - 11am - Room 123

Perception, emotion, understanding | Play discussion groups

Discussion groups on each work in relation to the art-science behind them

Coffee break|tea

11.30am - 12am - Room 123

Résonances art-science Paris-Saclay | Coupling research

Xavier Maître

Presentation of the Résonances art-science project. Research, training and culture aspects of a Paris-Saclay Chair in art and science.

12am - 1pm - Room123

Art-Science Intentions on the Work | Artists and Scientists at Crossroads in Exhibitions

Frédéric Baudin, Tim Schneider, Mathieu Vincendon, Ikse Maître 

Filippo Fabbri, Laurent Karst

Matthieu Courgeon, Ikse Maître

Presentation of the works on show, artists‘ and scientists’ points of view

Lunchtime snack

2.30pm - 3.30pm - Room 123

Contemporary ways of bringing art and science closer together | Conference

Filippo Fabbri, Laurent Karst

Through examples selected from a body of work by contemporary artists, we will see how real spatial devices have been created, physical spaces of perception, which will lead us to develop and characterise these interfaces between art and science.

3.30pm - 5pm - Room 123

Art-science work | Double presentation

Nathalie Guimbretière | Christian Delécluse | Filippo Fabbri + Laurent Karst | Alice Le Gall + Caroline Freissinet | Valérie Ciarletti | Félicie d'Estienne d'Orves | Frédéric Baudin + Ikse Maître 

5pm - 5.30pm - Room 123

Ways of doing things | Exposing new narratives

Anastasiia Baryshnikova, Félicie d'Estienne d'Orves

Narration and representation of art and science. Encouraging a change of attitude towards the cosmos and the cosmic paradigm

5.30pm - 6.30pm - Room 123

Art-science resonances and dissonances | Critical shared viewpoints on art-science research and training

In the form of an open discussion, controversial points of view on the day that has just passed concerning art-science research. Presence or absence of art-science resonances

Evening snacks

Speakers at the Coupling Day on 11 April

Ikse

Ikse Maître

Ikse|Xavier Maître is a physicist and CNRS researcher at the Multimodal Biomedical Imaging Laboratory in Paris-Saclay (BioMaps, CEA, CNRS, Inserm, Université Paris-Saclay). His early research focused on the foundations of quantum mechanics and the mechanisms of quantum entanglement and decoherence. Today, he combines atomic physics and medical physics to develop new tools for exploring the human body. He coordinates the European innovation project V|LF-Spiro3D on 3D magnetic resonance spirometry.

Ikse Maître initiated the science-art-society group Le sas where he conducts art-science research based on unconstrained human-machine interaction. He develops art-science experiences and relies on reality shifts to test our relationships with the world and engage with the public. He coordinates the work package on immersive technologies for the European cultural heritage project Artcast4D and is investigating the keys to immersion in public space at the Forum des Images on the installation Ariadne’s Fibres.

 

Frédéric

Frédéric Baudin

Frédéric Baudin is a French astrophysicist who began his career with a thesis in plasma physics at the Université Paris-Sud, focusing on the seismology of the Sun. After several years abroad (Spain, United States), he returned to France to study the magnetic activity of the Sun and stars at the Institut d'Astrophysique Spatiale. His work, supported by space missions such as SoHO and CoRoT, highlights a collaborative approach to research. At the same time, he manages the COROT mission data archive and is involved in teaching and various scientific advisory boards.

 

Tim

Tim Schneider

Tim Schneider trained in high-energy physics and holds a doctorate in radiotherapy and hadrontherapy. Having moved into the field of art-science, his research at the Université Paris-Saclay now focuses on immersive installations in open spaces and on the study of new approaches to systems for tracking people and movements. He is also a member of the Le sas collective, where he works mainly on the creation and development of interactive digital artworks and experiences.

 

Mathieu

Mathieu Vincendon 

Mathieu Vincendon, a lecturer at the University of Paris-Saclay and affiliated to the IAS Orsay, studies the satellite systems of giant planets, in particular the icy moons of Jupiter, brought to light by the JUICE mission. His research focuses on exploring the potential habitability of these satellites and understanding the Jovian mini-planetary system. He has also developed a Monte-Carlo model to analyse radiative transfer in the Martian atmosphere, making it possible to characterise aerosols and surface mineralogy. His interdisciplinary work offers new perspectives on the evolution and climatic processes of planetary environments.

 

Filippo Fabbri

Filippo Fabbri 

Filippo Fabbri, a lecturer at Université Paris-Saclay since 2010, is an engineer, physicist, pianist and composer. His research lies at the intersection of nanoscience and sound-art, with a particular interest in intelligent materials, adaptive acoustics and immersive technologies. He designs sound worlds for cinema, theatre and art installations, exploring the relationship between sound, space and perception. At the same time, he runs professional training courses in sound and image techniques, and founded the STAR studio at the Cachan IUT. His creations, presented in France and abroad, bear witness to an innovative approach combining science and art.

 

Laurent

Laurent Karst 

Laurent Karst is an architect-designer who graduated from the Strasbourg School of Architecture and the Domus Academy in Milan, and was awarded the Villa Medici prize in 1995 for research into the use of industrial waste. He worked in international agencies, notably alongside Jean Nouvel, before founding Atelier 16 in 2006, specialising in small-scale architecture and design using raw materials. Co-founder of the Labofactory collective, he is developing a multi-disciplinary approach linking art and science. As a teacher and researcher, he initiates collaborative projects and runs a graduate programme on ‘art, science and the anthropocene’ at the University of Burgundy.

 

Mat

Matthieu Courgeon

Matthieu holds a PhD in computer science from the Université Paris-Sud, specialising in real-time interactive 3D computing. After defending his doctoral thesis in 2011 on animated conversational agents, he joined the European Centre for Virtual Reality in 2013, specialising in immersive collaborative interaction.

Matthieu has also contributed to various digital installation projects for scientific popularisation and dissemination, notably exhibited at the Cité des Sciences et de l'Industrie and the Musée des Arts et Métiers in Paris.

In 2018, he joined Cervval as a research engineer specialising in collaborative virtual reality. He is the designer of the XR 3D engine for the DigiTwin technology platform. Today, he is project manager in this field and leads R&D efforts on XR and learning technologies.

 

Nathalie

Nathalie Guimbretière

Nathalie Guimbretière is a researcher and visual artist whose work explores the new links between art, design and science. Her protean devices (films, video games, installations and performances) explore the aesthetic and critical relationships induced by digital technologies. Her research focuses in particular on aesthetics, the politics of movement and the poetic activation of real-time creative tools. Committed to the international scene, she also shares her expertise through workshops and teaching in renowned institutions.

 

Christian

Christian Delécluse

Christian Delécluse sees artistic creation as a praxis that integrates sensibility and reason, transcending traditional dualism. Fascinated by the co-evolution between humans and their tools, he invents ‘sensitive machines’ that take viewers back to their own subjectivity and invite us to transform our representations of the world. His approach, both political and subversive, seeks to transcend the boundaries of thought by creating an unprecedented synchronicity between art, science and the sacred. In works such as ‘Hic Sunt Dracones’, he explores the tension between gravity and freedom, offering multi-sensory experiences that re-interrogate our relationship with nature and structures of domination.

 

Alice

Alice le Gall 

Alice Le Gall is a lecturer and researcher in planetology at the University of Versailles Saint-Quentin-en-Yvelines, specialising in the study of the surfaces and subsurfaces of the solar system. Trained in engineering and astrophysics, she wrote her thesis on the subsurface of Mars and did a post-doctorate at JPL, taking part in emblematic missions such as Huygens, Cassini and Rosetta. Her work, focused on the electromagnetic exploration of planetary worlds, also contributes to future projects such as ExoMars. Winner of the CNRS bronze medal in 2018, she is a member of the Institut Universitaire de France and co-author of an award-winning book in 2023.

 

Caroline

Caroline Freissinet

Caroline Freissinet is a CNRS research fellow specialising in planetary sciences and astrochemistry at LATMOS in Guyancourt. Passionate about the search for extraterrestrial life from the outset, she wrote her thesis on the detection of organic molecules on Mars and did a post-doctorate at NASA Goddard Space Flight Center. Her work, which combines laboratory analysis and exploitation of space probe data, aims to understand the distribution of organic matter in the solar system. She is making an active contribution to the MSL, ExoMars and Dragonfly missions and is studying similar terrestrial sites to calibrate her instruments.

 

Valérie

Valérie Ciarletti 

Valérie Ciarletti is a professor at UVSQ and Deputy Director of LATMOS, specialising in electromagnetism applied to probing planetary subsoils. A graduate of the École Centrale Paris, she has spent more than 20 years modelling and processing radar data to reveal buried structures on Mars and other bodies in the solar system. As scientific manager of the WISDOM radar, she plays a key role in the ExoMars mission to explore the Martian subsurface. Involved in cooperation with CNES and other agencies, she is actively contributing to advances in space exploration.

 

Felicie

Félicie d'Estienne d'Orves

Félicie d'Estienne d'Orves is a visual artist born in Athens in 1979 and based in Paris, who explores the relativity of time and space through light, used both as a tool and as a subject to create installations combining projections, lasers, sound and smoke, thus questioning physical and cosmological limits. Winner of the Fondation Vasarely prize in 2019, her works have been presented in prestigious venues such as the Centre Pompidou and at international events. Collaborating with astrophysicists and perception specialists, she fuses art, science and land art to offer immersive and poetic experiences, opening up new perspectives on our understanding of the universe.

 

Anastasiia

Anastasiia Baryshnikova

Anastasiia Baryshnikova holds a Master STE from the University of Paris 1 Panthéon-Sorbonne. After starting her career organising art fairs in France and abroad, she turned to curating exhibitions. Since 2022, as head of artistic programming at Cube Garges, her approach has been to question the societal changes brought about by new technologies, combining critical reflection with public inclusion.

Le sas